Interviews!

Jimmyo and Malice Talk Chainsaws and Murderous Women

Hey there Darlings! Happy Sinful Sunday. Today marks the last day of the 7 Days of Sin photo shoot for the Psychotik Girls. Make sure you check that out after you read this! Today I have a wonderful interview with Jimmyo Burril. He’s responsible for Chainsaw Sally, The Good Sisters, and soon The Darling Clementines. I’ve gotten the pleasure of getting to know a bit about him since Fatality Fest in June. He’s a very talented guy with an equally talented partner. Yes his wife and partner in crime is none other than the very sexy Chainsaw Sally…April Burril. ((April is also an Honorary Psychotik Girl)) Let’s see what he had to say hmm?

Jimmyo and Malice Talk Chainsaws and Murderous Women

And here is a picture of Jimmyo Burril...for absolutely no reason at all...Picture by Derek Shembarger of Infinite Focus Phtography

Picture by Derek Shembarger of Infinite Focus Photography

Malice Psychotik: Let’s jump right on your next film The Darling Clementines Can you tell us a little about the film?

Jimmyo Burril: A very brutal film about family, sex, violence, religion, tradition. I’ve never seen a film like it…. I think it’s by far the most fucked up thing I’ve ever written. It stars the deadly sexy trio of Debbie Rochon, April Burril, and Nicole Rae.
Malice: Where does this film get its roots from? What inspired it?

Jimmyo: I wanted to create my own Texas Chainsaw… something that for the times was still edgy, and scary. I wanted to make people uncomfortable…. I wanted to make them squirm in their seat… and so I went to one of our last taboos and wrote an in-depth study of an isolated family, who wants to endure… no matter the cost of their victims. Also, as usual for me, it’s a role reversal. The females are the aggressors… the men are the victims.

Malice: What type of run do you expect for the film? Do you have plans for a theatrical release or are you going to just see where it takes you?

Jimmyo: I would be surprised if we got theatrical, of course I would love one, but I expect it to go the way of American Mary or Hatchet.

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Malice: Are there any parts of the film you think you are going to have to reign yourself in on, or are you going to go all out no holds barred?

Jimmyo: No, I’m all done with the reigning myself in. I will tell the story as it needs to be told… no more no less.

Malice: I find it interesting that films like this normally are male driven. What pushed you to make it an all female antagonist type film?

Jimmyo: I could tell you a bunch of reasons why… or why not.. but if I take away the PC explanation, the real answer is that I dig powerful women. That’s it.

Malice: I would feel remiss in my duties of I did not ask about Chainsaw Sally. Are you still planning on doing more with Chainsaw Sally?

Jimmyo: As long as April and I are making films, there will be more Sally. We have a good bit ready… for either a movie or a show…. She will be back!

Malice: Out-of-Hat Question: Do you think a horror movie can be done well on a PG-13 rating? Would you ever try one?

Jimmyo: Sure I think they can… a scare is a scare… doesn’t need language or nudity to get that. Seems the MPAA is more concerned with boobs than blood, so yeah… I think it could be done. I would try to do one if I gave a single shit about the MPAA… but I do not take kindly to secret self-appointed censors.

Malice: Out-of-Hat Question: What is your favorite type of scare tactic in a film?

Jimmyo: Surprise!… set up… misdirection… and surprise. It’s actually the same formula for comedy…. Just a different pay off.

Malice: Out-of-Hat Question: What is it like being married to THE Chainsaw Sally?

Jimmyo: This Halloween is our 15th wedding anniversary… We’ve had ZERO arguments, and I have ZERO complaints. She is a great wife, mother, best friend, and great at all of the other benefits that come with that package.

Malice: Where can my Freaky Darlings pick up some sweet Chainsaw Sally stuff?

Jimmyo: Since we are mostly self-distributed, the best place to get our goodies… signed…etc. Is http://www.chainsawsallyshow.com

Make sure you all run out and get a hold of Chainsaw Sally stuff and anything else you can. Talented people deserve to know they are. Don’t think there is a single thing you wouldn’t want. We will keep an eye out for you on this film and anything else Jimmyo has to offer.

Until Next Time, My Freaky Darlings,

Malice Psychotik


A Moment with J.Larose

Hey there Freaky Darlings! working out of a funk is hard work! I’ve got three more interviews left from Fatality Fest to show you. This next one comes from possibly one of the nicest guys I’ve met on the convention circuit. Not to say he’s the only nice one, but that is definitely the first thing that comes to mind when you meet him. Mr. J. Larose it is! Fantastic finally getting to sit down with him. He was one I always promised I would make it to him and get him on the site. I met his some years back at a show when all he really had under his belt was Saw 3. We had just met Shawnee Smith and walked past his table when he just kind of flagged us down and started chatting. We do look interesting in public! He was very nice. He signed us an autograph with the most words I’d ever seen a celeb write and was just pleased to chat with a fan. Flashing forward 6 years, here I am at Fatality Fest and there  J is…i got my chance. Let’s get into this baby huh?

The nicest guy you'll ever meet!

The nicest guy you’ll ever meet!

A Moment with J. Larose

Malice Psychotik:  I want to ask you first about Saw 3. How did you come across the role? Did they find you or did you seek it out?

J. Larose: Actually the Director of Saw 2, 3, and 4, Darren Lynn Bouseman, I’ve known him for many, many years. He came out of Full Sail Film School around the same time I started dabbling in acting.  I auditioned for a student film he was doing on his way out of school. He cast me in the lead of this short he was doing and we just became fabulous friends.  We are like brothers, talk everyday type thing. Then he moved out to LA. spent some years struggling out there till he hit it big with Saw 2. He couldn’t really bring me in on Saw 2, because he was a nobody at the time. Then when they offered him Saw 3, he introduced me to the producers and that kind of got my foot in the door. They OK’d me, and I worked really hard to make it good. I didn’t want to make him look bad, like they made the wrong choice. The scene came out brilliant and that’s how that all came about.

This looks sooooo painful!

This looks sooooo painful!

M: The makeup job for that scene was fantastic. Did you have any pain or difficulty when you put it on. I know the loops in the limbs were probably easy to do. But that mouth one looks like it couldn’t have been that pleasant to have on.

J: The makeup artists were brilliant on the film. I believe they have done all of them if not most. They’re just true artists. The jaw piece was actually fairly simple. One end connected to my jaw and the other end, it was like a C hook, fit in my mouth. But they coated it with rubber and tried to make it as comfortable as possible. After 10 hours in my mouth it was bit irritating but it looked awesome. Everything else was just real practical. No CGI. It was a bit creepy. I remember looking down, it was about a 3 and half hour makeup job with two people working on me, and I look down and see the ones in both my heels. There was like a flush came over me because my brain is telling me “that should freaking hurt!” and it doesn’t. So I got a little teetery on that one.

 

M: And that is how you know you have a great effects artist! Plays with your head! Moving on, let’s talk about Repo! The Genetic Opera. I remember hearing about this and you were supposed to play Pavi Largo. Why did things get changed?

J: Originally we had done a trailer for it. Darren still had access to some of the crew. We had done him a favor and did a trailer for Repo! To kind of get some finance for it and show them what it was. So at the time I did the Pavi role. It was a far cry from what it ended up being. I kind of looked like Michael Jackson…after the surgery. Of course it’s a rock opera, so they were trying to bring in people from the music business to get attention. Somehow they had access to Ogre from Skinny Puppy, and he ultimately ended up playing the role. I was a little disappointed that I didn’t get to play him, but I totally get it. A musical is hard to get going as it is and he brought this whole fan base with him. He’s really great we ended up becoming good friends. It’s a great project though. It’s something I’m very proud of, even though I have a very small role. It’s still a gas and I’m proud to be a part of it.

M: Next I’m going to talk about Insidious. I’ll go ahead and be honest, I was not a big fan of that film. I think the over-hype killed it for me. But I will say your ghost in that movie was the most impressive. At least scarier than the main one. What went into that role?

J: I’m very proud of that one too. What a gas of a project. James Wan was the director of that film. He was the director on the very first Saw film and that’s kind of how we met. He approached me and told me “Hey I got this character. This sort of ‘fiendy’ character.” I was like, “Cool man.” and we did it. When it came out it was hugely succesful. Especially when you figure in it was done on a low-budget. It did really well, but it was kind of because of by word of mouth. It didn’t get a huge publicity thing before it came out. I think the goal was they wanted to prove, “Hey I can scare you but without using buckets of blood and chopping off a limb.” So they made this PG-13 movie and it’s pretty darn scary.  A lot of people were apprehensive to the idea that it was PG-13. Sort of like why bother go see it. I’ve had so many people though come up to me and say “Hey man, you scared the hell out of me!” And I’m so glad that my character was very effective and memorable. That’s why when I look at a role, I don’t look at how many lines I have or how much screen time. I say to my self, “Are they going to remember this?”

M: Will we see a return of the big bad fiend in Insidious 2?

J: I don’t know man. we will just have to wait and see. I know it comes out in September so..

M: Let’s talk…Devils Carnival. I’m loving this film. I can’t wait for the next one. You don’t get to see much of your character, but I’m very interested in more. Care to talk a little about it?

J: Well it’s not really meant to be a one shot thing. There are going to be other parts to it. I’m part of this Carnival. I’m the band leader. Every Carnival has a band right? Well I’m the leader. It’s a background character, but it’s part of the family. I’m hoping one day I’ll get the main stage as they make more. I keep digging at Darren, “Come on give me a song in it!” It’s real fun though. I got to wear this awesome mustache and a uniform. AND I got to direct the band, so it’s all good.

Does interviewing the interview-er from Repo! count as inception?

Does interviewing the interview-er from Repo! count as inception?

M: Last I heard, Devils Carnival 2 was still seeking funding. Any word on when that project is going to move forward?

J: I’m not really privy to all of that. I’ve heard a few things. It’s all about funding though. It always comes down to the money. Also it’s more a passion project than it is a business one. Terrance and Darren have to make time for it too. They have that and meanwhile have to continue doing feature films. All the other people also are doing this out of love for the project. They aren’t doing it for the money. Their isn’t really any money involved. So you have to coordinate all of these peoples schedules too. It’s a scheduling challenge/nightmare as well.

M: Do you have anything else coming up that we should keep an eye out for?

J: I actually had a bit of a disappointment recently. I was supposed to be in this film Now You See Me. Kind of a heist film, not horror related. I saw that my scene was cut out! I still got like a second of screen time. Sort of a background thing. But the director, awesome guy, he reached out to me ahead of time. He told me they had to cut time and he just wanted to give me the heads up on my scene. It’s going to get a release on Bluray so it will eventually be able to be seen. I still got to work with Mark Ruffalo, and it was such a pleasure. I’m such a fan of his work. I shot something last year called Wind Walkers. Sort of a spiritual type Native American movie. That was a blast. Really Great script. I think that one is in post-production right now.  I’m working on a film right now called Paymon. Sort of a devil/ghost horror movie. More ghosty than horrory. Anthony DiBlasi is directing that. He’s done stuff like Dread and Midnight Meat Train. I’ve worked with him before and he’s a great guy. We right in the middle of production right now. So it’s a bit early to tell when that one is coming out. That’s kind of what I got cooking right now.

Isn’t he great guys and ghouls? Such a talented guy and humble as hell! Always a pleasure meeting this guy. You see him at a con, you be sure to stop by and say hello. Most appreciative of his fans indeed and never disappoints. Be sure to keep an eye out for more interviews. Been a long time since June, but life has a way of turning things upside down. I have a lot more in store for you all in the month of October. You won’t want to miss a beat!

Until Next Time, My Freaky Darlings,

Malice Psychotik


Introducing Bloody Bombshell Entertainment

Hey there Darlings! What a fine day it is. The kick off for October has begun. Halloween is officially 30 days away. The Summer is over, now bring on the fall. Officially this begins my Holiday season. I’m just so excited….and you all should be too. This month I’m going to try to do things right. Do it like I’ve never done before. I have a lot of things in store for you all, but before I get into that I have some big news. No I’m not going to address the Government Shut Down. That is totally too depressing and I make it a point not to get in between a pissing match. I think we all learned our lesson with R.Kelly I’ll Thank You! ((Look at that an R.Kelly joke..heehee!)) No, my news today comes from one of our good friends. Ladies and Gentleman…Boys and Girls…Children of all ages…It is with great pleasure I present to you….of Fatality Films, Fatality Fest, The Psychotik Girls, and proud new owner of a brand spanking new BLOODY BOMBSHELL ENTERTAINMENT!!! Andrea Albin everyone! Yes, I have for you an interview with our fine lady about her new company and the direction it’s going etc. Very exciting news indeed…but don’t take my word for it…READ!!!
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Malice Psychotik: This past year has been such a roller coaster for you. So many things going on…Andrea hun, how do you keep your sanity in it all?
Andrea Albin: I was insane to begin with, so keeping my sanity has never been an option. 
 
Just teasing! The thing I’ve learned with everything that’s happened as of recent is that I have to prioritize. That’s honestly what keeps me sane. After my car accident in July, I had to take a step back and think about what was important- and in that experience I began to apply that way of thinking to everything I did, from scheduling my day to even house chores. Honestly the accident brought me down to Earth and taught me that I can’t do everything, as much as I’d like to, and it’s given me the opportunity to evaluate how I operate both personally and professionally. 
 
Oh- and a combination of yoga and coffee. Well, as much yoga as one can do with a post-car accident body. 
MP: Well you have recently announced some big news for the future of your company, You’ve went from ADA Management to Bloody Bombshell Entertainment. How are the two companies different? What influenced you to make the change?
AA: The accident really forced me to approach life differently. Prior to that moment, I had been trying to do it all- and it just wasn’t working. I was overwhelmed, unhappy, and something had to give. When I was up to the challenge, my team and I sat down and discussed what we wanted to do and where we wanted to take the company. You have to understand, ADA Management Group was my baby. I brought her to life and I’ve had her for seven years, so the decision to make such a huge change was tough. Still is. However, we weren’t doing our clients any good, production was at a standstill, and we weren’t giving the conventions the attention they needed to succeed. Thus, we chose to open a new company where we could focus on my love of production and our incredible fan conventions- two areas my team and I are slightly obsessed with. ADA Management Group was primarily a management firm, managing careers on several levels, while Bloody Bombshell Entertainment is going to focus on film and live event production. This is my new baby, and I’m looking forward to raising her. I’ve heard a lot of bullshit as far as why we closed ADA, and what we’re doing to move forward- and my only answer to the negativity is that until you’ve owned your own company, built a brand, and had to make a change for your own success- there’s no room to form an opinion. Being an entrepreneur regardless of the industry is a tough road, but one that some of us choose to take. I see Bloody Bombshell Entertainment becoming a huge force; and I’m happy to lead the charge. 
MP: Fatality Films is working with Jimmyo Burril on the upcoming The Darling Clementines. What got you involved with the film? What stands out to you?
AA: I’ve been a HUGE Chainsaw Sally fan since high school, so the opportunity to work with both Jimmyo and his beautiful partner in crime April was a dream come true. The two of them approached me through word of mouth and we connected by way of career management. Now that our focus is shifting, we’re taking them with us on this journey and turning our love of Sally into a new venture, soon to be unleashed as The Darling Clementines. Jimmyo sent me the script months ago and we decided it would be something we could both collaborate on and bring to life. As a film producer, I look for scripts that challenge me as a cinema nerd, and this is a script that really turned me on. It’s sexual, brutal, dramatic- everything that one could hope for in a horror film. I see big things for the project and I’m honored to be serving as Executive Producer.
MP: Fatality Films is also connected to Scott Spiegles new feature WRATH. What about this project has you excited?
AA: One of ADA Management Group’s clients, Alex Sosin, gave us the script years ago when he jumped on board for career management. A former friend had introduced us and he brought several incredible stories to the table- WRATH being one of them. I went out on a limb last year and sent the script to Scott, who immediately fell in love. The first thing he said to me was “Andrea, I HAVE to direct this.” He started piecing together his cast, what he wanted visually, and before I knew it the three of us were sitting at a table at Cheesecake Factory in West Palm Beach charting out what our year, 2014, was going to be like with this film. It was one of those awe-inspiring moments I can’t even begin to describe- seeing a director with his screenwriter discussing the visuals of a film that I know is going to take the horror genre by storm. I’m excited because this will be Fatality Film’s debut feature and I get to work with a legend on the project. It’s also going to be amazing to see Alex’s story come to life and his dreams come true. It couldn’t have happened to a better person, honestly. 
MP: Let’s talk con business…You have 4 shows planned for 2014. 2 of those shows had to be moved from this past September and October so you can heal. What can we expect for these upcoming shows? How are you going to tear the roof off and make people remember your name?
AA: There are going to be a LOT of positive changes in store for our 2014 shows. Our website is getting a facelift right now, and we’re making official date announcements soon. I want Fatality Fest to be different and after learning a lot from our show in June, I’m ready to implement my own crazy ideas into our business plan. I don’t want to give too much away, but our upcoming conventions are going to take the world by storm because there is NOTHING out there like what I’m about to do. We’ve gotten a lot of negativity from the con industry, and to put it bluntly- my team and I just don’t give a fuck. We’re there to have fun and entertain while doing it. Fatality Fest is for the FANS. For cinema. And for the better good of the horror genre and the geek con culture. 
MP: Have any guests in mind?
AA: A few- but we’re still working out some details before we make any commitments. I just know that the guest list will be planned strategically and will implement the new chaos that we’re bestowing upon the world. 
MP: Are there any projects going on currently that you would like to get Fatality Films or Bloody Bombshell on board for? Or maybe a Director you want to start a project with?
AA: I’m living the dream right now. I can’t say at this moment that there’s a director or producer I’d specifically want to do a project with because I am doing it with those that I admire. We have only announced two films for 2014, when in reality our production slate houses nearly 20 different projects. My team and I are excited to continue offering you guys teasers, releases and so much more over the next several months. I have no doubt that 2014 will be our year. 
MP: Out-of-Hat question: What is your opinion of the Zombie craze? Some people think it’s a good thing having Zombies brought into pop culture and mainstream media…Some on the other hand think that it will only hurt the horror genre. That it will do nothing but produce tired drawn out films that will discredit the horror genre as a whole…Where do you stand?
AA: I hate zombies. I really do- there isn’t a single zombie film out there that has ever impressed me. Do I find them enjoyable? Yes. Do I think they play an important part in the horror genre? Absolutely. But I don’t like them personally. I’m involved with a zombie film right now, but it’s because I have faith in the team and the script is actually very, very good- but most people who know me know I’m about done with The Walking Dead, I respect George Romero but I can’t stand most of his films, and I’m over watching virus-infected creatures attacking people. I think that it’s cool they’ve gone ‘mainstream,’ they’re just not my thing. 
MP: Out-of-Hat question: How on Earth, Heaven, and Asgard have you managed not to have your soul sucked out through your eyes…chewed up…and spat back in your butt-hole by Grand Theft Auto V?
AA: I am the master of all things that cross my Xbox. There is no video game that can claim me; for I am invincible when it comes to that… ESPECIALLY Grand Theft Auto. 
MP: Sort of Out-Of-Hat question,but sort of not…Do you prefer an effect be done by CGI or do you prefer it to be done practical effects?
AA: Practical effects are the way to go; but I know that CGI has its place. I’m old school- I was raised on films that didn’t have a bunch of souped up special effects and computer bullshit. I was raised on horror films that had integrity when it came to their special effects team; not computer inserted blood. I want to see and feel the corn syrup. I want to know that the actors were really covered in guts. I think that practical effects are much more difficult to achieve, especially in terms of realism- and that’s what makes them so damn cool. I know that in my career CGI will eventually become my friend, but I’d like to see what we can do first before turning on our computers. 
So we have lots of things to look forward to huh? SOOOOOO excited. I can’t wait to follow both of these projects and many more to come. I have a lot more in store for you all. So stay tuned. Check the links at the bottom of the page and follow us on your favorite flavor of social network. We are on Twitter and Facebook. I promise you don’t want to miss a thing. You don’t want to have to sing that song from Armageddon do you?
Until Next Time, My Freaky Darlings,
Malice Psychotik

Chatting it up with Ernie Hudson

Hey there Darlings! Been a while I know. Lot’s of crazy busy stuff. Family gone crazy, Seras get’s a mortal job, the little Psychotik figured out how to vaporate, and some how a Carnivorous Raglefant Troll from my laboratory. By the way if you live in Florida and see this very large creature with very large teeth…I advise you to run as fast as you can. Getting back to business, I have a very special interview to hand over. At Fatality Fest back in June I had the pleasure of meeting the one and only Ernie Hudson. I was thrilled! This man is in two of my top all favorite movies of all time. It was such an honor to meet such a film icon. So get the proton packs ready, and don’t cross the streams….

Chatting it up with Ernie Hudson

Photo by Derek Shembarger of Infinite Focus Photography

Photo by Derek Shembarger of Infinite Focus Photography

Malice Psychotik: You are in my top 2 favorite films, The Ghostbusters and The Crow. But your career goes a lot further than that. Do you have any personal favorites out of all the movies you have done?

Ernie Hudson: No I just like to work and some films turn out a little better than others but I just enjoy working. The Ghostbusters  movies, The Hand That Rocks The Cradle, Congo, The Crow I love those. You always put your best in and some turn out good and some don’t.

MP: One of the biggest debates between Ghostbusters fans is, which one is better 1 or 2.  Was there one that you liked better?

EH: I think the first movie was more original. I think it was actually a great movie. The second one was more family friendly but not as creative. So for different reasons I like them both but I just thought the first was really out of the box and just really original. The second one wasn’t as original but little kids find it much more accessible.

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MP: The video game, what sort of experience was it? You guys hadn’t been together in so long.

EH: Yeah I think we all love the franchise and we all got together. I was happy and surprised they got Bill Murray to do it. But they did.  It was nice to come together again and put something out there for the fans. I wish we could have followed through and did the third movie. That has yet to happen but it was great being a part of the game and it turned out to be very popular with the fans and that’s good.

MP: You mentioned Ghostbusters 3. I know you can’t really trust most movie buzz going around but have you heard of a script or anything in the works?

EH: No I hear from time to time from Danny Aykroyd. I talk to all the guys including Ivan Reitman so I think everyone wants it to happen but getting everyone to agree on exactly what, that’s been the problem. I hope they can pull it together. I think the fans have been great, supportive and I think they are ready for it. They would love to see it.

MP: I had looked through your IMDB and saw a little known fact that you were up for the role of The Master in “Doctor Who”. How did you come across that? Are you a big “Doctor Who” fan?

EH: Not a real big fan. I mean I’m aware of the franchise and I had heard that I was being considered but of course it never happened. I think Eric Roberts ended up doing the part. But that would have been nice, would have been fun. Then when they did “Torchwood” which is an American spinoff, they asked me to be a part of that if the series went but the series didn’t go. But it would have been fun to be a part of that.

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MP: What do you think you would have brought to the role of The Master? The Master’s character is such a sinister villain and you tend to play a heroic, very nice guy. What depth do you think you could have added to the character?

EH: Well I think nice guys make the best villains and sometimes the villains can make the best nice guys. I think it’s very hard for an actor to get locked into a certain thing. I have done a number of movies where you play the other side. It’s always interesting and I think it would have been an interesting challenge to give that character a different dimension. Obviously me and Eric Roberts are two very different people. I love his work but it would have been interesting to explore that.

MP: I have noticed that in your roles you play a police officer a lot. In Miss Congeniality you play the director of the FBI, The Crow you play Sergeant Albrecht, and there have been several others. Is that a personal preference for you?

EH: No, most actors don’t really get into personal preferences. You take the jobs that are there and available in front of you. Actors talk about well I turned this down and most actors don’t turn anything down. There’s not that much work out there. A lot of times people will take my voice, my physique I’m sure it probably comes off very authoritative and that translates into authoritarian roles. Be it a principal, warden, whatever. The FBI guy, the CIA guy and so I think that’s where a lot of that comes from. I have been very fortunate  to play other roles. I think it has more to do with physicality than anything. I try to be as flexible and try as many different things as I can.

MP: I read that you like writing. What sort of things do you like to write? Screenplays, short stories, etc.

EH: I started out as a play write. I got a scholarship to Yale as a play writing student back in the 70’s. I still write. I’m working on Jack Johnson the first black heavyweight champion “One Man Show” I’m writing that. Still working on the script but hopefully I can get that out there soon. Writing was very much a part of my life for a while. Then I sort of got more involved in acting trying to raise my family. But now that I have more time, I want to get into that side of my career.

MP: I had one question about The Crow but I know usually that is a tender subject. Do you mind?

EH: No, no! Whatever it doesn’t matter. The Crow, if it was going to be Brandon’s last movie I am very happy that I was there and I have nothing but great love and respect for him and his memory. So I don’t have a problem talking about it.

"You still have your hat on." -Eric Draven "The Crow"

“You still have your hat on.” -Eric Draven “The Crow”

MP: How did you come across the role of Albrecht?

EH: Well, I’m sure Brandon probably had a lot to do with it. I had known him for about 8 years and I know he wanted me to play that role. I thought it was a great role! I liked the character. I don’t think any actor knows how they get anything. How they got this part, that part. Maybe some who could say I got this from who knows what. As an actor, you’re out there and you try to get the role. I can’t honestly say Brandon got me the role. It could be any number of reasons.

MP: Did you ever read the comic books before you took the role?

EH: No. When I was a kid I read the Marvel comic books and some of the DC stuff but I’m not really into it. I was a single parent at 19. I raised 2 sons and so most of my life has been trying to keep a roof over their head. I never was much into the comics. I never read The Crow. Obviously once I got the role I got into it but not before.

MP: One last question just kind of out there. Fitting with Ghostbusters, do you actually believe in ghosts?

EH: I believe in the possibility. I can’t sit here and tell you that I saw a ghost clearly last night and they said to say hello. I think there are other dimensions around us that we are yet to understand or even be able to comprehend. It’s like a computer. If you have one of those old computers that are very limited, it can’t process the newer stuff. Because it doesn’t have the capability. We have 5 senses and that’s it. I believe the universe is infinite so who knows how many other senses there are. In our realm of 5 senses it doesn’t exist. I think it would be very foolish to believe there is not something else going on. So I believe in the possibility but it’s not something that I go around in pursuit of. I’m not fascinated by it. I figure sooner or later we’ll all know for sure.

The Psychotik Family and Ernie Hudson

The Psychotik Family and Ernie Hudson

Wasn’t that just….OH MY GOD ERNIE HUDSON!!! Well I got that out. I really do hope I never loose that light when I meet a celebrity for the first time. Such a good feeling. The ironic thing is of course in most cases I’ve met the actually character they portrayed. That is a story for another time though Darlings. One does not explain the multiverse in one sitting…Tomorrow I will have so HHN 23 updates. Catch you up on all that has happened. I ask all of you to keep Andrea Albin of ADA Management and Promoter of Fatality Fest in your thoughts, prayers, or what ever you do individually to send good vibes. She was in a car accident last night. Now from what I hear, she is okay. She just needs some recoup time. I’ll keep you all posted. She’s a fighter though! That lass has got a lot of moxie and I don’t think she will let this keep her down for long. Get better soon Andrea…

Until Next Time, My Freaky Darlings,

Malice Psychotik


Cthulhu Save the Queen…The Scream Queen Jessica Cameron

Hey there, Darlings! All of you I’m sure by now are very familiar with the indie film, Mr. Hush. So far I’ve interviewed nearly the entire main cast. I’m only missing two in my collection (yes I collect interviews and you should all be so lucky I don’t collect humans. The reason I don’t? Have to feed and shelter you…Apparently humans don’t like a crystal box on the high shelf…hmm…) at Fatality Fest, I added one more to my list. None other than Scream Queen Jessica Cameron! She is a real jewel Darlings! I urge you if she is at a show that you are at, stop by. She acts, she directs, she produces, she writes, she makes jewelry….She is the horror communities equivalent to a freakin’ Barbie!  We didn’t just talk Hush though…no we chatted about some other very cool things she had in the works. Top Hats on Darlings! Have a shot of Jager…

Cthulhu Save the Queen…The Scream Queen

Jessica Cameron

jessica-cameron-b-movie

Malice Psychotik: How many films have you done?

Jessica Cameron: I have done currently over 70 different independent projects. That includes web series, tv shows (both network and non), I have done pilots, independent films, pretty much if you can shoot it, I’ve done it. Except for porn. That is available for viewing haha!

MP: One film you have done is Mr. Hush. How did you come across this film?

JC: Mr. Hush, I came across the Facebook page and I loved the story that I saw. I reached out to David and said I would love to be involved. He looked at my reel and we made an offer and I was just thrilled! I had so much fun. David is such a passionate filmmaker and he had this awesome original story. I think it is so special, to me. It really is a special little film. I love David Madison, his lovely wife and his gorgeous little child. She played my daughter in the movie. They’re just really good people. You know when you meet people and you’re like “you are good people”. They are good people and they made a good movie. And I can’t wait to see what they do next.

MP: What were some stories from the set? Anything happen?

JC: I was only in the movie for 5 days which is 3 weeks. But it was a really good set. I think it was really lighthearted. Our DP Jack Schaefer was awesome. There is a great scene where two of the leads are at the bridge and the camera angle is from the center point of view. And it was funny because the DP really wanted to get the shot and David really wanted it as well but then David was like “You know what, I’m concerned because we can’t get the shot.” We didn’t have a crane we actually had to hike up and down these hills. It took like 20 minutes to get to the location so we had to bring minimal equipment. And our DP was like “Screw it! This is why we have insurance.” He took his red camera and walked out across the rocks like in thigh high water to get the shot. At one point right after we were done shooting and when he went to come in, he actually slipped and fell. And the camera went up in the air in his hands and it really wasn’t too far  above the water.

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MP: What other films do you have coming out that everyone should keep an eye out for?

JC: Well my directorial debut which is Truth Or Dare which I am phenomenally excited about. It’s my first time directing and I actually co-wrote the script. It is a very brilliant, beautiful, twisted, crazy torture flick. So it’s definitely not for the faint of heart or those with weak stomachs. If you have a weak stomach then don’t watch this movie. It’s not the movie for you.

MP: I love those movies!

JC: I know right?! That’s what I think. But you know initially I didn’t want to direct it. I wanted to find a director and half the people we approached were like “it’s too much Jessica. Tone it down.” And I was like no! You’re not changing my story. Why do I have to tone it down? You’re not a studio and I’m not getting studio money. They were like “People are going to be offended.” And I’m like so what? I have never met a horror fan who would hold against the filmmaker that they were offended. They just turn it off. If it’s not your thing, that’s cool. I get it. But you know what? I don’t care. This is my thing. I made a story that I love. That I think is relative to society and I made it as bloody and gory and insane as the story needed to be. I definitely think we are going to offend some people and people are going to walk out and I’m cool with that. This is my warning! If you have a weak stomach, this is not a movie for you. If you have a delicate moral sensibility, this is not a movie for you. We push all of those boundaries and that’s what I love about it. And if you don’t, no problem.

MP: Just looking at the picture you have on your table and you said its real gorey, how many buckets of blood do you think you used in this film?

JC: I have no idea! I know we went through about half of our expense budget was basically just blood. Those of you who don’t know, you can make cheap blood or you can make expensive blood. We actually made the really, really good stuff and we made it all from scratch. We actually kept it on camera the whole time before we settled on one because we wanted to make sure the blood looked really good and believable. You know it’s a very fine line. Blood on camera has to be minimally redder than real life to show up properly. Because real blood in real life goes into this brownish color and doesn’t ? on camera. But you don’t want to make it too much where it looks like red paint.

MP: Can you give us a short run down of the film?

JC: Well it essentially centers around a group of 6 kids who met in college during a marketing program. They have a Truth Or Dare Youtube channel. Their number one fan decides he wants to play their game but he’s got a few rules of his own. Things start to go horribly awry. It actually started with Derek, our protagonist, the ubber fan, he’s actually based off an actor we all know. You know that guy who is desperate to be famous to have people love him and to have friends. He wants to belong. That’s kind of where we started. We were like what would make that guy snap? I live in L.A. I know that guy. I know tons of that guy. What would make that man snap? Well let’s put him in front of these 6 kids who stumbles upon internet fame. They haven’t worked for it and they don’t really appreciate it and they’re not cherishing it. You know what would make him go to that breaking point.

MP: That sounds like an awesome movie! Can’t wait to see it when it comes out. So is there anything awesome going on in the horror community that you want to be a part of?

JC: The Soska sisters! I think they’re brilliant. I think they are revolutionary. I love their sense of being, their brilliance and determination and everything they do. For me, American Mary was one of the top 3 films of last year. I think everyone who is a horror fan should see it. They NEED to see it. It is a brilliant film. So I’m definitely a huge fan of them. They also happen to be women from Canada. And what’s cooler than that? They are also some of the most humble people you are going to meet. I am a big big fan of that. I don’t like people who have an attitude. I don’t like people who are dramatic. I just want to make movies. So those girls are everything I love about independent filmmaking. So anything that they are involved with I am a huge supporter and hopefully we’ll get to work together. I’ve also got Intrusive Behavior coming out which is a Florida based film. I was actually here last week for the premier. I can’t wait for the world to see it! It is a really great film. It’s actually where I met in person, Heather Dorf. I had known her for a long time in the independent scene and I met her in person and Heather Dorf blew me away! Her performances are unbelievable! That’s how I cast her in Truth Or Dare. I also have coming out Clone City 2064. It is a film that I produced and also have a small role in. It’s set in a futuristic world where we all have clones and someone is killing off one of the detectives clones. So we just signed to distributor so this is new too. I haven’t been public before but thank you for allowing press on that. We have a lot of interest and a lot of feed. I think it’s a really great story and should be shown.

MP: Well thank you for sitting down for the interview. It’s nice to add another member of the Hush family 🙂

jchh2

How was that, huh? Jessica is the best kind of people and I hope to be seeing more of her around these parts. Truth or Dare looks bad ass. Can’t wait! That’s it for now Darlings. Still have a lot for you all to look forward too. I’ll see if I can drum up a little HHN 23 news for you too…

Until Next Time, My Freaky Darlings,

Malice Psychotik


Quoth the Raven….

Hey there Darlings! Of all the interviews I’ve done, I never dreamed I would get to sit down with a legend of pro-wrestling. I’ve been a fan for a long time, and this next interview was with one of my favorites. A Two time ECW World Heavyweight Champion…an impressive 39 time WWE Hardcore Champion…the one…the only…RAVEN! I got a little too excited, and sort of choked  back a little. But the man still did a great interview, and gave me some pretty good advice. The little Psychotik loved him to death, it was awesome. You didn’t tune in though to see me talk about that…you came to read an interview. Top Hats on Darlings…

Quoth the Raven…

Raven

Malice: In your early career you had a couple different names and you made the switch to Raven. What made you decide to switch your persona to Raven?

Raven: That’s who I wanted to be. You know you get stuck with personas because the companies want to give you stuff and with ECW I was allowed to come up with my own thing.

M: You were able to compete in all major wrestling federations WWF, WWE, WCW, ECW,  TNA out of all of those, which one gave the best experience?

R: ECW and Portland Wrestling.

M: As wrestling changed over the years, do you think it was better then or now?

R: I don’t watch it now so I have no idea. I would assume by the ratings it was better then.

M: What do you think, in your opinion, was the reason WCW kind of  fell to the way side?

R: There are too many reasons. It would take me too long to discuss it.

raven1920x1200

M: One thing I had looked up, you held the hardcore title 27 times…

R: No, actually it’s  39

M: Really? Which they still hailed you as the most reigns with one title. Did you ever look back on that and think ‘I held that record?’

R: Nah I don’t look back on anything. That is in the past. You gotta live in the now.

M: I used to love watching the hardcore matches. What went into those? It’s kind of hard to fake getting thrown into a brick wall, getting hit in the head with a chair, trash can or kendo stick.

R: What you see is what it is. There is no other way to describe it. I mean you know the creativity was usual mine. Well obviously my opponent had input too but I tried to make mine more creative than everyone else and add more psychology so mine would stand out.

M: What have you done in your career that you are most proud of?

R: I don’t know. I’m not sure. I really don’t know. Probably being successful at it. When I got in the business, I was the smallest guy in the business. The fact that I was able to make it and have such a long running career after consistently burning so many bridges and being so small comparatively. Now I’m 6’2  when I started I was 5’11 220 at the most. When I was all roided out I was 220 so I never lifted weights after 160.  My graduation weight and Jericho’s, I mean I’m much bigger than Jericho but he graduated high school at 185, I graduated at 160. And that was after 2 years of lifting so you could imagine how small I was. And I didn’t have any abs so I was small with a thick waist.  The fact I was able to make it with my size and lack of athleticism speaks volumes I think.

M: Of all the things you brought to the ring, what was your favorite?

R: The Frankenstein doll or the ficus plant

M: So you had a storyline that was offered to you on Sunday Night Heat involving the Seven Deadly Sins…can you tell us a bit about that?

R: No they didn’t offer it. I came up with it. They botched it. One of the best storylines I ever came up with but they never let me do it right. And so it just never happened but what I had originally created was so fantastic, so brilliant, so clever.

M: What advice would you have for a young start-up into the business?

R: Wrestle in High School, Wrestle in collage…they like that. Get abs, they like abs. The leaner you look the better. It’s not about style anymore it’s about appearances. Eddie Guerrero was 180 lbs but he looked like he was 230. He wasn’t very tall but his build made him look much bigger. Don’t get me wrong much guys are a lot bigger. He just happened to be a smaller guy that looked bigger. Then you got guys like Billy Gunn who are legitimately 6′ 5″  and 280 lbs shredded. Anyway, just do that and watch as much wrestling as you can.

M: Last question, one of the most controversial moments of your career was when you crucified Sandman on ECW. After you did the deed, you were then made to go out and apologize. My question is, would you have done it differently or not at all in hind sight?

R: Of course I would have done it, it was brilliant! The only reason there was controversy was because Kurt Angle was there. If he wouldn’t have been there, if they hadn’t been trying to recruit him, there would have been no controversy. it would have gone over like it was supposed to, I wouldn’t have had to go out and apologize. It would have worked like a charm. But because Kurt Angle was there, he got pissed. Then Tazz and some others jumped on the band wagon. Normally they wouldn’t have said anything, or if they did it would have been in private. It had the right effect though. There was just a hush over the crowd, everyone was silent. But it was a good kind of silence. But whatever you know, it happens…

M: I actually read a comment that went something like, “Well why didn’t you tie him to a Star of David?” and you answered, “Well then we would had to roll him out of the ring!”

R: No it would have rolled away on its own. It wouldn’t have had the symbolism. it had nothing to do with religion. It was all symbolic.

M: so it’s not about the religion or the politics it’s about the message basically…

R: Yeah, you know I was the martyr for societies dysfunction and so I was going to make Sandman feel my pain..that’s all…which we would have explained as the story went but we didn’t get a chance to because it got kabosched.

Did you like all of that? I loved it! Not often do I get struck fanboy style. This was one time for sure. But you know, the advice he gave me caused me to hit the rest of the interviews with a ferocious vengeance. A lot of other people that weekend thought he was a bit grumpy. But to me, I thought he was him. He was a legend in the flesh. Real great with kids. Jazzy loved him. He made a new fan. Stay tuned Darlings…we have a Scream Queen up next!!!

Until Next Time, My Freaky Darlings,

Malice Psychotik

016


Breaking Twilight: a Sit Down with Rick Mora and Judith Shekoni

What’s shakin’ Freaky Darlings!? Have I got a treat for you., especially you out there that like Twilight. Hell, even if you don’t you should love this? Why? Well other than it is on Encyclopedia Psychotika…the BEST place for madness anywhere… Rick Mora and Judi Shekoni are two awesome people, who gave me one epic interview. It was so fun getting to sit down with them and just talk. I could have went on and on with these two…but…I had to pull back a bit. In case you don’t know, Rick played the Quileute in the flash back sequence with the Cullens in the first movie. Judith played the Amazon Vampire, Zafrina. Seriously, this was one of the funnest interviews I’ve done. Like I said, like the films or not…you should still love these two people. Stand up act. But hey…don’t take my word for it…READ THE INTERVIEW!!!

Breaking Twilight: a Sit Down with Rick Mora and Judith Shekoni

Photo By Derek Shembarger of Infinite Focus Photography

Photo By Derek Shembarger of Infinite Focus Photography

Malice Paychotik: General question for the both of you. What are your feelings on the phenomena that is Twilight?

Judith Shekoni: My feelings are warm and fuzzy haha! No my feelings are that I am just very happy to be a part of it. It’s great to be a part of something so successful. And to be invited to be part of the Twilight family. I think it shows that a powerful love story can ignite the populations and that it’s wonderful there’s a movie that mothers and daughters and even fathers and everyone and sons can all go to together.

Rick Mora: For me, I’m overwhelmed. I never anticipated that my investment in my craft would have resulted in such a phenomenon. I am very honored to be a part of the franchise and to be able to represent my native culture. You know a huge part of this movie is based around the Quileute Tribe that pretty much goes under the radar. Quileute tribes didn’t wear daisy duke shorts so we understand how that works. But like I said it’s a very awesome opportunity to represent myself and my culture and to be part of a franchise that is so amazing. So beautifully amazing.

MP: As far as the daisy duke shorts go, I think it was said best in the parody of Twilight, Vampires Suck,  the guy that’s suppose to be Jacob. He walks in and she goes “Didn’t you just have on a shirt?” And he says, “It’s in my contract to remove my shirt for every 10 minutes of screen time.”

RM: Ha you got it!

MP: This is for both of you. How do you think vampires and werewolves in Twilight stand up to the traditional archetype of  what a vampire or werewolf is? Do you think they’re better? Do you think it expounds upon it?

JS: I’m not sure there is a traditional vampire/werewolf type of character. The rules are just made up out of someones imagination and so I think they are allowed to change. I like the rules that have been chosen in the Twilight world, because I think it’s not too dark. Sometimes vampires are always so dark and so sexual that they can’t be enjoyed by all the population and kids too.

MP: As you played a vampire, you not having to burst into flames when your outside, so that’s good.

JS: Yeah, I got to go out looking glam and stuff like that and I got to still talk to people not just bite people.

MP: A very good feature of the Twilight vampire versus your Ann Rice or Bram Stoker.

JS: And I think that by allowing the vampires to be out during daylight, it allows them to have a relationship. In movies and tv a relationship is the most important thing. You have vampires so restricted in the rules that they follow, that they can’t be involved with other people in the general public. It limits what can go on in the storyline. I think it works better.

Photo By Derek Shembarger of Infinite Focus Photography

Photo By Derek Shembarger of Infinite Focus Photography

RM: For me I think we have come far from Bela Lugosi. We’re talking about the black and white established ideal of what vampirism is all about. And we’ve taken this idea to another level and I love the idea that as time changes and social climate changes so does the climate of the vampire. And as we evolve, the vampire has evolved. And we have come far from Bela Lugosi to Ann Rice to Bram Stoker. It’s a beautiful evolution of a vampire idea. I am overwhelmed with how they have managed to pull it off into a family film.

MP: One thing I liked about the whole werewolf transformation was, that it didn’t rely on a brutal transformation sequence. In Twilight you just see the werewolves like…poof! I do enjoy brutal transformations, but I think in this case it would have taken away from the story.

RM: That’s CGI for you. That’s the development of our social climate. We have great technology now.

MP: What sort of experience did the Twilight films offer? What did it do for you as an actor?

RM: For me as an actor, it literally flipped my whole world upside down. Put it like this, you audition so much that you are stoked to get  put by a tree. But to actually get to be a part of a film that becomes a cult phenomena, it’s priceless. Like one of those credit card commercials. Time with your kids? Priceless. Being part of a franchise? I can’t even tell you how my life has been flipped upside down from this movie.

JS: It’s just been a wonderful experience. Because I got to be part of something so successful and I got to act which I love doing in life. And I was already a fan and had already read the books previously. So I got to have the experience of reading books I really loved. Reading about characters I really loved and then getting to actually personify one of those characters.I don’t think a lot of people get to have that experience. So I think it’s definitely something I will take with me for the rest of my life.

MP: Judi, you have done a lot of tv series work. How did that differ from being on the set of Twilight: Breaking Dawn?

JS: There was definitely a much longer leave time from when you get the job to actually work. I had the opportunity to really indulge myself in doing research and really making some decisions about the character. Also there was a long shooting time that there was a lot of time to immerse myself into the world and to really develop relationships with the other cast. And there was a very long time before it actually came out so it got to be an experience that we all shared for so long, that became ours. Before it was actually visible to the general public so I found it to be a very different experience and I love doing both. But I definitely would say at the moment that it is the best job I have ever done.

MP: You said you had read the books, did you get your first pick of character?

JS: Um no. What actually happened when I auditioned, I auditioned for Zafrina and Senna at the same time. And then from the auditions they chose me to be Zafrina. Then you just take it and say thank you very much. But of the characters that’s the only really one I would have liked to play. When you read the book because it is in person by Bella. I feel that I have lived Bella’s life already. So if ever they were going to redo them and want a 6 foot black girl from Manchester as Bella, I would be more than happy to take the role.

Fierce....

Fierce….

MP: I think you would be perfect for the role. So any interesting things happen on set? Anything that was particularly trying?

JS: It was definitely difficult! There was a shot in the film where I’m using my special power on Edward and the camera zooms in to me and we had a problem focusing the camera when it zoomed in because it was coming so close. So we ended up taking a shot where I was attached to like a stand and holding my breath at like 11:00 at night in Canada in January wearing a loin cloth. So that was probably one of the most challenging things I did. But also when I see it in the movie, it’s one of the shots I like the most. So it worked out for the best.

MP: I have to say, as somebody who has only read the first book because after seeing the movie didn’t want to ruin it. I was caught with unfortunate non-knowledge of the battle that never happened. I have to say, me and my Seras were watching it like, “This movie can’t….it better not end like this!”

JS: It was amazing! I think the twist they created was one of the best twists I have ever seen in a movie. Definitely taking a book to a movie. When they sat down and came up with that idea like that was wonderful. What’s interesting is when you read it in the script, it seemed like “Oh, that’s interesting.” But you didn’t really get it and realize what a huge twist it was until you actually saw it visually because it was a very visual twist. It was a wonderful experience to be in a room a few times over at the films premiers when the audience gets the twist and to even be there with the director when he witnessed one of the first times that the audience got the twist. You know it worked.

MP: Rick, I noticed that you were in Big Money Rustlas.

RM: Oh wow! You’re looking deep into my catalog of repertoire. Yes I am in Big Money Rustlas.

MP: That’s a real slapstick, funny, good time type of movie.

RM: When I finished shooting I got to go home and call my mom.  And say, “Yo, Mom I just did a movie with Ron Jeremy!” Her jaw dropped! She was scared to ask me what kind of film did I do. “Mom,I just did a film with Ron Jeremy and he was being an actor.” Besides that the most hilarious part isn’t just that it’s Ron Jeremy but it’s Bridgette Nielson, it’s JJ from “What’s Happening?”, it’s Vanilla Ice…were talking an all-star cast of the most interesting personalities you could ever put together in a film.

Photo By Derek Shembarger of Infinite Focus Photography

Photo By Derek Shembarger of Infinite Focus Photography

MP: Did anything happen on set? Being around ICP (Insane Clown Posse) and Twizted there have to be good set memories.

RM: Well put it this way, my trailer was next to Bridgette the Midget. I don’t know if your followers know who Bridgette the Midget is…

MP: Being in since I have a deep fondness for little people and furries…I think they know who someone like Bridgette the Midget is…Haha!

RM: But Bridgette is a “special” performer if you know what I mean.

MP: Oh yeah I know haha…

Editors Note: If you could have seen the looks we both had on our faces…priceless…

RM: Okay, so my trailer was next to her trailer. Needless to say, my trailer began to smell very good in the middle of the day. And I’m not talking about incense…  So it’s very, very interesting to work on a set where it’s all about a good time from the minute you get there. So, I can definately say that A) working with Ron Jeremy and B) working with Bridgette the Midget, we’re talking like Big Money Rustlas.

MP: Again digging deep, I read that you were in an episode of “Deadliest Warrior” where they used you as a Lakota Warrior.

RM: You know, I rode along side Crazy Horse. So it was me and Crazy Horse fighting Poncho Villa and you know obviously History Channel doesn’t get their history straight, because if they really did, they would have known that we would have cut Poncho Villa’s throat in the middle of the night. But they made us fight him during the day, in bright sunlight in the middle of the day. And you know the result of guns during the day! Obviously we lost. You know, I love the History Channel’s re-enactments. I’ve done a ton of them and it’s interesting to see how they portray history. I have played many different types of warriors for the History Channel but I like the fact that they still try to do these recreations and they still incorporate native talent. That’s very important having a place that we are able to show our face and make it as authentic as we possibly can. Because there used to be a time that still exists, but we’re working hard to change it,  where they paint people brown and put wigs on them and call them Natives. And you can’t do that with any other culture. Somehow because we don’t raise a stink as much as everybody else, they still try to do it. But I am glad they were able to come to their senses and hire real natives to portray these roles.

MP: You know you can always tell a real, authentic native film from when they use non natives for the film….

RM: It’s the difference between a long shot and close up haha

MP: Did you have to learn anything? Like did they have to teach you some of the fighting styles or how to use some of the weapons?

RM: You know the beautiful part about my place in Hollywood is that I am one of Hollywood’s natives. We already come to the table with our skills and our trade. Fighting, horse back riding, it’s all a part of our deal. I think a lot of times that’s also the interesting part because they’ll want to hire us and they want us to do everything. Yet normally they would have to hire stunt people to do the stunts, riders to do the riding, and specialists to do the fight scenes but for us we get to come to the table and do it all ourselves and  it’s a blessing and a curse. Obviously we don’t get paid the way we should but we get to be us and we get to represent our people proudly.

MP: Do you have anything going on? Any films we should look out for in the future?

RM: Oh films yes! But I’m hoping to meet a beautiful woman at some point haha. One that I can keep. I have a film coming out around November or December called Little Boy with Kevin James, Sean Astin, Emily Watson, Michael Rapaport , Ben Chaplin and about 10 more A listers. What a beautiful film. It’s a family drama. The Pope has already watched it and blessed it. So it’s got a good chance to really make an impact. I have a horror film coming out called Savaged by director Michael Ojeda and it looks like it’s going to get a release. It’s going to get a limited theatrical release hopefully. And as far as film that’s my two movies coming out other than my charity work and the convention circuit.

Editor Note: Rick is a catch ladies…show him some love! His social network stuff is below…tell him Malice sent you…trolololo

Come on ladies....COME ONNNNNNN!!!

Come on ladies….COME ONNNNNNN!!!

MP: Judi, do you have anything coming out film wise?

JS: I have a couple of films that are in pre-production that I am going to start doing. Which I am excited about. One of them is playing a prostitute in South America and the other one is playing a gambler who is addicted to gambling. And then coming out, I was working on a tv show called “Mike and Molly” which already aired. And I went to India earlier this year and did a Bollywood movie. That’s scheduled to release sometime in the summer.

MP: Alright thank you guys  for the interview. It was a pleasure sitting down with both of you.

JS: Also what would be wonderful is if any of the fans of your site would like to follow us you can find me on Twitter @JudiShekoni which is just my name or my Facebook page which is just Judi Shekoni Page.

RM: And I am at rickmora.com or you can catch me on my social network at Native Rick Mora. I am also on Twitter @NativeRickMora and you can check me out on Youtube at NativeRickMora007.

Like I said, this was fun times all around. Next time you are at a show and they are there…stop by and say “Hello!” Either one of them are very approachable and love to chat. Stay tuned my Darlings…we have a lot more to come from our interviews from Fatality Fest! Once these interviews are done…you won’t want to miss what we have next…

Until Next Time, My Freaky Darlings,

Malice Psychotik


He’s Here…An Interview with Oliver Robins

Hello Darlings! You host here bringing you yet again, another interview from Fatality Fest! It seems like these will never end, but hey that is good for you right? I do believe I was more productive that weekend then I had been in over a year! Tralalala! Anyway, this next one was with a true film prodigy. You would never guess it either. It was with the little boy from Poltergeist, Oliver Robins! This very talented guy was willing to sit down with the furry-hatted-madman to chat about the current state of film and beyond. I don’t want to pull your leg any longer than I have to so let’s get to it. Hats on Darlings because…

He’s Here…An Interview with Oliver Robins

oliver robins 2

Malice Psychotik: Your first film was Poltergeist at the age of 10. How did you land the role?

Oliver Robins: Well you know I had only been acting for a short period of time and I had only done a couple of commercials and it was an open call. Hundreds of people were called up at this audition and we were waiting outside MGM amongst the hundreds of people. To make a long story short, after a series of call backs and auditions for everyone including Mr. Spielberg, they said their one concern was I didn’t know how to scream. And Toby said to me that the key to a great horror movie is someone who knows how to scream. So I panicked! “What am I going to do mom?’ So I met with a coach and this person, believe or not in Hollywood there are people who specialize in helping you learn how to scream.

MP: Really? Wow

OR: Yes! So I learned how to scream. learned how to take it up from my chest and diaphragm and that’s how I won the role.

MP: You’ve got one hell of a scream in the movie too!

OR: They taught me well haha

MP: Were you ever actually scared by what was going on?

OR: No you know what’s funny, they shoot the film entirely out-of-order and you get kind of bored. And while I was bored, I actually began watching what they were doing and that’s what got me into the film making process. That is what made me want to become a filmmaker. And Mr. Spielberg gave me a Super 8 camera and I started making films out of it. Not out of it but I started making films from that experience. And to answer your question in long form, everything about a movie is about the special effects. I mean a movie like Poltergeist that is. And all the stuff is put in afterwards so I was never actually ever scared because we didn’t know what to be scared of. When you see us screaming at the various effects, they were waving a stick and we were like what are we screaming at? They said “we have no idea yet”, it was going to be layed in by ILM and that’s the scariest thing you can think of.

MP: So when you actually saw it in the film, did you just say “whoa!”?

OR: It’s funny because when I actually saw the movie, I jumped! I was scared when I actually saw the film. And I had no idea what I was actually going to be looking at and I’m looking at all these ghosts and creatures flying around.

MP: could you tell us about the scene where the clown doll comes to life? I was reading that the arms actually wrapped around your neck and you turned blue.

OR: You know what’s funny is I don’t remember that. But it was a very fast shoot that day. Believe it or not like the tree sequence took almost 2 1/2 weeks to shoot. This sequence was shot in a matter of hours. Maybe like half a day, 5 hours of shooting. The way they did it was tedious. More tedious than scary. They used a reverse camera so I had to start at the pinnacle, the climax of my fear and had to act backwards. And so I started up at my highest intensity and go to my lowest intensity so when the movie was played forward, it was as if the arm was wrapping itself around me. And in the different pieces of coverage, they broke it up to look like as if I were being dragged underneath the bed. My understanding is the clown dolls arm caught around my neck. I guess I put it out of my mind because I can’t even remember what happened.

MP: Oh wow! Must have been very traumatic.

OR: So traumatic I just forgot about it. All I remember is having a great time on set. I didn’t really have that many scary experiences. For me it was like going to summer camp. Everyone made that shoot a happy place for me. I mean everyone from Frank Marshall to Steven Spielberg and Toby Hooper. You couldn’t ask for a better team of people. I remember Frank Marshall on the set. He was telling me about all the sets they built and he said it’s going to be great! we have all these things you can play with. All these toys and everything else. So it really made it feel like summer camp for me. It wasn’t an awful experience at all. And he never played any tricks on me to get me scared.

"Is there something behind me? It feels like something very ominous is behind me..."

“Is there something behind me? It feels like something very ominous is behind me…”

MP: At age 15, you wrote, directed, and produced The Crystal. How did that compare to your acting experience?

OR: I think acting really helped me as a filmmaker. Because what a lot of directors don’t understand, they’re very technical filmmakers. To understand what an actor is going through is invaluable. So by acting prior to directing, I knew the kind of performances I wanted and how to talk to actors. I understood a certain sensitivity an actor is feeling. So all of that really contributed to my ability to direct. And I think it’s critical that all directors act once or at least take an acting class. So they understand not just the technical side but also the aesthetics of acting. So my experience helped me to not just direct actors to get the coverage but how to best get the performances and cater to an actor.

MP: you have written, directed, and produced around 50 films. Which has been your favorite?

OR: I loved working on this Hallmark movie that I wrote obviously for the Hallmark Channel. But I almost think that Hallmark movies are a genre unto themselves. The kind of movie I could watch with my grandparents. It’s a very wholesome and sweet movie. I have made films that are a little more adult. I love making something for television that is timeless. I think they have shown it over 50 to 60 times. It’s this story about a young boy who befriends this outsider in the town and helps him build a soapbox racer. So they need each other in their own special way. The boy becomes a champion and at the same time, helps this recluse in the town come out of his shell and discover the kind of person he has the potential to become. I love that Story. It’s a very sensitive story and I was really inspired by Cinema Paradiso. That was my inspiration or prototype. And I just put the Americana into it.

MP: Are you currently working on anything you can tell us about?

OR: Right now I’m working on some studio projects. I have been signed to secrecy but I’m working with one of my film school partners. We’re really hopeful this thing will get made. We had to sign off and not give any details about it right now. But that’s what I’m working on right now.

MP: Have you ever thought of returning to the horror genre? Like a ghost movie or something of the sort?

OR: As a filmmaker I would LOVE to do a horror film. I’ve written a couple of pieces, but as you know, it’s really hard to get something off the ground. I would love to have the opportunity to write a horror movie and direct if possible.

MP: And it’s such a shame that Hollywood is obsessed with this concept of remake, remake, remake. And no one is willing to go off and take a chance on a new idea. Very seldom do you see that. It’s like they are obsessed with recapturing the old days.

OR: I agree. I think there is a concern because films are so expensive to make that they want something certain. That they want to know the film will make money at the box office. So I think that has prompted a lack of creativity. I think that’s why we are seeing a lot of derivative films. Not just derivative, but remakes and sequels. I think they just think they have sch a fan base already. But if people took more of a risk, I think you would see a lot more original movies. Eventually that day will come, when they run out of sequels to make, and we see a whole new set of fresh film makers. it doesn’t take a whole lot of money to make a great film. It takes a good story, good performances , and a fresh directorial vision. I just hope that executives will start taking chances again like they did in the 70’s.

MP: OK last question, Poltergeist was the original ghost movie. Or at the least the one that made the sub-genre famous. How do you think that stacks up against the films today like Paranormal Activity?

OR: A movie like Paranormal Activity is drawing off of what Poltergeist started. Without Poltergeist you probably couldn’t have a film like Paranormal Activity. You have this set standard of what is a Poltergeist is, because no body really knew before then. It’s kind of like a stepping stone. When ever I saw Paranormal Activity, I was terrified. I was at the edge of my seat. I thought it was brilliant that they could tell a story that basically takes place in one place. entirely in one location.  That’s where Poltergeist is a very different movie. It’s more of a family horror. It’s really about a mothers love for her daughter. Paranormal just doesn’t draw from that. And that makes the two films entirely different animals in the genre.

The Psychotik Family with Oliver Robbins. Photo By Derek Shembarger of Infinite Focus Photography

The Psychotik Family with Oliver Robbins. Photo By Derek Shembarger of Infinite Focus Photography

I hope you all enjoyed that as much as I did. I really enjoyed chatting with him. He is a very friendly person and makes you feel like an old friend. Can’t possibly say enough good things about Oliver. I do hope to hear more from him soon. And believe you me, if I hear of anything I will let you all know. Stay tuned for more in this series of interrogations…I mean not forced interviews!

Until Next Time, My Freaky Darlings,

Malice Psychotik


Stepping out of the Cupboard with Butch Patrick

What is shaking Freaky Darlings? Time for interview number two in our series from this past Fatality Fest in West Palm Beach. This next interview was done by our very own lovely-vampire-diva/ love of my life/ mother of my child/ Psychotik Girl den mother…Seras Psychotik! This was Seras first celebrity interview ever. She get’s nervous about choking up, but trust me, I think she did awesome! Butch was a great guy with tons of great stories. Probably could have sat there for a whole day listening to him, unfortunately, we could not. So hats on darlings! Cozy yourself up because now we are…

Stepping out of the Cupboard with Butch Patrick

That was an awesome back drop...I wanted it.

That was an awesome back drop…I wanted it.

Seras Psychotik: So I have the pleasure of sitting here today with Butch Patrick. Most of you will know him as the lovable Eddie Munster from The Munsters. You obviously began acting at an early age.

Butch Patrick: You mean I didn’t just do The Munsters? Ha ha

SP: Ha nope, not just The Munsters. How did you get started in the industry?

BP: Actually, my little sister was the target of an agent. They wanted to take some photos of her and I went along for the ride because I didn’t have a babysitter. I was 7 years old at the time and she was 2 1/2. They took some photos of her and took some photos of me. The agent in question was Mary Grady. She was Don Grady’s mother, who was Robbie on ‘My Three Sons’. She was looking to open an exclusive child agency. She was working with an adult agency at the time. anyway, She needed kids. No experience necessary. Which I qualified for that. My first three interviews I went on, I got General Hospital the first year it was on. I got a nice movie with Eddie Albert, Jane Wyatt, Soupy Sales and Brenda Lee. Then I also got a Kellogg commercial that won an award for best commercial of the year. I got all of that right out of the gate and the rest just kind of snow balled from there.

SP: So we all want to know, how did you land the role of Eddie Munster?

BP: Well it came to me about 3 or 4 years into my career. I was living back east with my grandma, I used to go back and spend some time in the midwest with her. They apparently had this series on the books to compete with The Addams Family. The people at Universal wanted something to compete with it. They looked at several hundred kids in Hollywood, and it was basically down to a couple of kids. They decided at the last-minute they were going to tweak it a bit. So they called Yvonne DeCarlo and myself in for a final screen test. They changed the cast and the rest is pretty much history.

The ORIGINAL Team Edward...

The ORIGINAL Team Edward…

SP: Was it difficult being the only child regular on the show?

BP: No actually it wasn’t that bad. They used to call me a 39-year-old midget because I acted like an adult. Filming was just during the day so I would be at home and with friends in the evening. And the weekends were my own. I used to just go exploring and made friends with all the guys. You know the grips and special effect guys, the make-up people. A studio is a wonderful place for a kid to go exploring, if you know what you’re doing. With my make-up on, everyone knew I was supposed to be there so it wasn’t like anyone was going to say you can’t come on the set. It was a fun time. Like a kid in the candy store. We were only in make-up like three times a week so it wasn’t too terrible.

SP: I read that Fred Gwynne and Yvonne DeCarlo were your acting mentors. What sort of advice did they share with you?

BP: Well Fred was mostly my acting mentor. He told me to never trust the suits that it was us against them. Never take it too seriously, save your money, things like that. But the acting techniques we developed together. Well he had them and helped me develop them. Which worked wonderfully for the father and son scenes. Al Lewis spent a lot of time with me outside. Anything that involved throwing a ball or letting a kid be a kid as so to speak. Yvonne was kind of a substitute mom for me because my mom lived on the east coast. So this was my substitute family. Sometimes she would bring her kids on set to play and keep me company. So she did the mom thing which was really appreciated.

SP: What has been your favorite experience working in the industry in general?

BP: Probably meeting the people. Meeting all the stars and meeting them on a casual level. Not as an actor but just as people. Having lunch with them, chatting behind the scenes. You know how everybody sees them on TV and they are like “oh my god!” and you know them on a first name basis.

SP: So you run a promotions company. Can you tell us a little about that?

BP: I have been in promotions for years. I have been a promotable item my whole life. I was a prop so to speak when we would use the Munsters coach. When we were at the auction, here we are Eddie and the monsters and the Munsters coach being used. I do media consulting and I do promotional. sometimes I work for myself, sometimes for other people like publicists.

SP: Any chance we could see a return of Eddie and the Monsters or is that over for good?

BP: yeah that ship has sailed. There is a funny story with that actually. We just wanted to do rock videos. In 1983 with the onslaught of MTV, we made a video in New York. We were the first unsigned act ever to be aired on MTV. I did write the lyrics but I faked singing and faked playing the bass. So I was like a double whammy Munster vanilly.

SP: Anything you would like to say to your fans?

BP: Keep an eye out. I’m going to be working on a morning show. A 60’s turning 60, sort of baby boomer thing.  A syndicated Saturday night show and I’m also going to do a morning show Tuesday to Thursday to allow my weekends to be free to travel around the country side and visit fans. Go to Munsters.com. I try to keep all my travels listed there. I’ll be doing some international stuff next year with the 50th anniversary of the show. So hopefully the next year will be more active than most.

I greatly enjoyed having the privilege to do this interview. Butch Patrick truly appreciates his fans and is a complete joy to chat with. I hope to have the opportunity again.

Until next time lovelies,

Seras

P.S Stay tuned for more interviews from Fatality Fest and new stuff from HHN23 to boot…Later Darlings ~Malice

The Psychotik Family with the Legend himself...

The Psychotik Family with the Legend himself…


Step Through the Gate with Christopher Judge

Hello there Freaky Darlings! Well, it’s time to see the fruits of mine and Seras’ labor! We did a truck load of interviews at Fatality Fest 2013 and now it’s time for them to roll out! First up? Christopher Judge! This guy is a stand up act. It was great sitting down to chat with him a bit more. He’s the kind of guy you could easily sit down and just shoot the shit with a couple of beers. I really hope he is at a future shows! You should all meet him if you get a chance. So put on the Top Hats Darlings…louche some absinthe…because it’s time…to…

Step Through the Gate, with Christopher Judge

Picture by Derek Shembarger, Infinite Focus Photography

Picture by Derek Shembarger, Infinite Focus Photography

Malice Psychotik: You were on Stargate: SG1 for 10 years and Atlantis for 1, what was it like being on a show for that long?

Christopher Judge: It was great! The security of it… we were like a big family for 10 years. We had very little turn over. We had no cast turn over until season 8 so we really did get to become one big happy family.

MP: In the world of epic sci-fi series like Star Trek, Doctor Who, Battle Star Galactica, etc. where do you think Stargate: SG1 fits into all of that?

CJ: I think strictly because of how long we were on the air, obviously we were a favorite to the fans. We wouldn’t have been on so long if not. So where are we in the sci-fi campion? I definitely think among stuff like Star Trek and Star Wars and the like. We made our mark in that genre. We were there for 10 years so obviously we did something right.

MP: You played the voice of Nicholas Kuttner in Deadspace: Aftermath. If they ever decided to do a live action film, would you reprise the role?

CJ: I think that was actually in my contract. Mike Disa who wrote it, at the time we were partnered on a show called Sentinals. I told him if it ever went to live action that I wanted to play Kuttner. We talked about it but I haven’t heard anything about it going into production.

MP: Have you ever played the games?

CJ: I actually haven’t but my kids have. They said it was one of the most terrifying games they have ever played.

MP: Well how can you go wrong with undead-alien-zombies?

CJ: Right!

Aliens-Zombie-Undead...Oh My!...Picture by Derek Shembarger, Infinite Focus Photography

Aliens-Zombie-Undead…Oh My!…Picture by Derek Shembarger, Infinite Focus Photography

MP: So do you have anything new coming out? I know you mentioned Sentinals.

CJ: Actually I have a film coming out called To Have And To Hold. It’s a period piece, set in the early days of Jamestown, VA. I have that coming out. And we are prepping the show called Sentinals right now. We are partnering with Roddenberry… speaking of Star Trek and Mike Disa who wrote and directed Deadspace: Aftermath, we are all very, very excited about it.

MP: Moving on to a personal question. What would be something about you that your fans would be surprised to know?

CJ: That I’m a boring homebody. my reputation used to precede  me as a bit of a hell raiser. Now I’m more a stay at home type. I’m just a dad. A stay at home dad.

MP: While I’m thinking about it, back to SG1. Not too long ago, I saw an episode of Hollywood Treasures where you authenticated one of the helmets from the show. They look like a pain in the ass! Any stories?

CJ: They were the bane of my existence! The one that actually opened and closed, the working one, weighed about 70 lbs. And it had no support for your neck or anything, so you literally had to just back up and hold it. You like three guys behind you working the hydraulics. I absolutely hated that helmet! It was a marvel you know, in just how it worked. But one story about it, they had built it on another person, on somebody else. So I had never actually had it on until we were going to shoot. Well they didn’t build it out far enough and it actually caught the tip of my nose! The thing could open and close in like one fiftieth of a second  and it caught my nose.

Teal'c hates his helmet...

Teal’c hates his helmet…

MP: One last question. That gold mark you always had to wear, did that ever fall off in the middle of a take?

CJ: No, they had that process pretty down. At first we used spirit gum. Then it was this stuff called Prozane. Which would irritate. Like Michael Dorn had real bad reactions, everyone had bad reactions. So then we switched to this stuff called Betabond. You go to the hospital for like when have a cut and it’s not bad and doesn’t need stitches, that’s what they use. Well it caught on in the film business to the point hospitals couldn’t get it. They charged film companies double what they charge hospitals. so they sold it all to the film industry. It would hold and never come off. In fact, we had to use a special liquid to take it off. Betasolve, that was the only thing.

Well that’s one down…and 9 more to go! You’re a class act Mr. Judge and we hope to see you next time round!! Stay tuned, because tomorrow we have Halloween Horror Nights 23 news!! AHHHHHH!! Maybe…just maybe a little for Fatality Fest in October as well….

Until Next Time, My Freaky Darlings,

Malice Psychotik

This picture made my night, and set the tone for the whole weekend!

This picture made my night, and set the tone for the whole weekend!